To celebrate and remain grounded in the analog world, I collect and use a variety of pinhole cameras, exploring the interplay of time and experience. Motion is rendered ghostly by long exposures. Details soften in the absence of a lens. Verticals and horizontals curve or tilt. Edges stretch and darken with vignettes. Double exposures are an occupational hazard. But none of the effects of these many variables can be fully known until the film is developed.
